Camera A DOP & Camera B Operators for Original reality series | Pilot material | Paid project engagement
- Toronto, ON
- On-site
- Posted Nov 5, 2026
- 1 position
$3,500–$4,000 / month
Opens LinkedIn
- Employment type
- Internship / apprenticeship
- Experience level
- Entry, Junior · 0+ years
- Apply by
- May 3, 2027
- Posting language
- English
- Working hours
- 40 hours per week
- Seniority
- Entry level
- Application method
- Apply on LinkedIn (LinkedIn sign-in required)
Job summary
Capture observational scenes, interviews, events, reactions, and social media footage for a reality series, coordinating camera coverage with the producer/director, other camera operator, and sound recordist. Prepare and operate camera and lighting equipment, monitor image quality and media, and organize verified footage handover.
Job details
Original reality series | Two full-time, paid openings Positions: Camera A Operator DOP & Camera B Operator Compensation: Camera A: $4,000 CAD / Camera B: $3,500 CAD fixed project fee Duration: 3-month, fixed-term employment, with the possibility of a separately agreed paid extension. Schedule: 3 shooting days per week, Evenings & Weekends possible.. Reports to: Executive Producer- Andrew / Producers - Olga & Ameer. Location: Downtown Toronto, ON; in-person preparation and on-location filming. Be part of an original reality series - from first shoot to streaming pitch. Futura Sound is building the creative team behind a new original reality television project. We are seeking a Camera A / Director of Photography and a Camera B Operator who can capture real conversations, spontaneous reactions and cinematic documentary images. Join at the development stage and help define the visual identity of the series from its first shoot. About the Job The music and entertainment division of Futura Investment and Development Inc. focuses on content creation, events, music production and marketing, artist development, publishing and digital distribution. We support emerging and established artists with creative resources, industry guidance and high-quality content. We are now building the creative team behind an original reality television series, with the goal of developing, filming and are looking to shoot 2 episodes, along with vertical content for social media a week beginning next week. This is an opportunity to join at the beginning and help bring authentic stories, compelling personalities and a distinctive creative vision to the screen. This is a paid, 3 days a week, three-month engagement, with the possibility of extension based on production needs and project development. Equipment Available ● Two Sony FX3 full-frame cinema cameras; A DJI Mavic 4 Pro drone; a DJI RS 4 Pro Combo gimbal. ● Multiple Sony G Master lenses; multiple Sony TOUGH 960GB CFexpress Type A memory cards. ● Professional filters, monopods, tripods and camera supports. ● Professional storage drives, lighting and accessories, and other production equipment. Camera ownership is not required. Lenses, lighting, support equipment, media and any personal-kit rental will be agreed before filming. Project Scope & Schedule The camera team will capture footage for the episodes along with vertical coverage for social media. Both positions work 3 days per week throughout the three-month term, including filming, preparation, camera tests, equipment care and media handover. Exact dates, episode lengths and filming milestones will be agreed before employment begins. Evening or weekend work may be scheduled within the three-day week; availability outside paid hours is not required. Responsibilities Both positions work with the producer/director and production sound recordist to capture the material needed for coherent, engaging episodes. Applicants may apply for either role. Camera A / Director of Photography Will ● Establish the visual approach with the producer/director, including camera movement, interview framing, exposure and a consistent recording workflow. ● Operate Camera A for observational scenes, conversations, interviews, events and other agreed filming situations. ● Plan camera, lens and compact lighting requirements and prepare efficient setups suited to a small, mobile production crew. ● Lead interview and scene lighting, adapting to available light and changing locations without unnecessarily interrupting authentic action. ● Coordinate Camera B coverage and matching settings so both cameras provide complementary angles and consistent images. ● Communicate technical requirements and limitations early, and help plan practical coverage within the agreed schedule and resources. Camera B / Second Camera Operator Will ● Capture complementary angles, reactions, close-ups, establishing shots and observational footage that support the main action. ● Anticipate spontaneous moments and maintain focus, framing and usable camera movement in changing real-world situations. ● Coordinate positioning, screen direction and continuity with Camera A while avoiding unnecessary interference with the scene. ● Follow the agreed exposure, colour and recording settings, and communicate changing coverage needs with the DP and producer/director. ● Assist with camera preparation, equipment setup and wrap tasks within scheduled paid hours. Both Camera Operators Will ● Follow the producer/director’s story priorities and capture the coverage needed to connect scenes, interviews and developing storylines. ● Coordinate with the sound recordist, allowing for clear dialogue coverage and the agreed synchronization workflow. ● Monitor camera settings, batteries, media and image quality throughout filming; raise technical problems promptly. ● Label and organize media and follow the agreed verified-backup and footage-handover process; do not erase cards before transfer has been confirmed. ● Capture agreed promotional or behind-the-scenes material when scheduled, and keep unreleased footage and participant information confidential. Skills & Experience ● A portfolio showing strong composition, focus, exposure, camera movement and visual storytelling, supported by relevant full scenes or interview samples. ● Practical experience operating Sony FX3 or comparable professional cinema cameras and familiarity with 4K, Log and professional recording workflows. Experience with DJI Mics would be greatly appreciated. ● Experience filming reality television, documentaries, interviews, events or observational content is strongly preferred. ● Confidence working handheld and adapting to available light, compact lighting equipment and unpredictable filming conditions. ● An understanding of multi-camera coverage, continuity and coordination with a separate sound recordist. ● Ability to follow organized media-management and footage-handover procedures. ● Camera A applicants should demonstrate lighting, visual planning and on-set leadership experience. Camera B applicants should show strong reaction coverage and coordination. ● Familiarity with DaVinci Resolve, Adobe Premiere Pro or similar software is an asset; the separate editing role is not included in this engagement. Professional Attributes ● Reliable, punctual and organized, with careful handling of equipment and recorded material. ● Calm, adaptable and resourceful when locations, action or lighting change. ● Clear, collaborative communication with the director, other camera operator and sound recordist. ● Respect for participants, authentic storytelling and confidential production information. What We Offer A paid, full-time opportunity to help establish the visual identity of an original reality television series and work closely with a small creative team from its first shoot. Production has two Sony FX3 camera bodies available, so personal camera ownership is not required. The initial employment term spans three months, with three scheduled workdays each week and the possibility of a separately agreed paid extension based on production needs. How to Apply Please email the following materials: ● Your resume or professional biography and the role you are applying for: Camera A / DP or Camera B. ● Your reel and relevant full scenes, interview footage or documentary samples, identifying your contribution to each example. ● Your availability for Three days per week during the three-month term, Sony FX3 experience and ability to attend downtown Toronto preparation and on-location filming. ● Any separately priced equipment you propose to supply; personal camera ownership is not required. Email: jobs@futuraholdinggroup.com Subject: Reality TV Camera Team Application - Camera A or Camera B Phone: +1 647 786 8387 (Text Only)
What you’ll do
Capture observational scenes, interviews, events, reactions, and social media footage for a reality series, coordinating camera coverage with the producer/director, other camera operator, and sound recordist. Prepare and operate camera and lighting equipment, monitor image quality and media, and organize verified footage handover.
Requirements
Applicants should provide a portfolio demonstrating strong composition, focus, exposure, camera movement, and visual storytelling, along with practical experience using a Sony FX3 or comparable professional cinema camera. Relevant reality, documentary, interview, event, or observational filming experience is preferred, as are adaptability, multi-camera coordination, and organized media-management practices.
Listed skills
- Visual Storytelling · Preferred
Other relevant skills
Identified from the job description. Confirm important requirements above.
- Camera Operation
- Cinematography
- Visual Storytelling
- Composition
- Focus and Exposure
- Lighting
- Handheld Camera Operation
- Multi-Camera Coverage
- Continuity
- Documentary Filming
- Interview Filming
- Reality Television Production
- Media Management
- Sony FX3 Operation
- Team Communication
- Equipment Preparation
Job areas
- Creative & Media
- Art & Design